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Recent blog posts
I had taken great interest in the gorgeous watercolors of the Bay Area that Amos Engle painted before I ever dreamed of moving here. And it is through his 100-year-old eyes, that I find myself seeing the landscapes of my new home– the beaches, the coasts, the hills, the Sierra Nevada mountains. But my most treasured of his paintings is the one of Fanny, his lover, his wife, his muse. I thought I knew this painting and why it meant something special to me. But through Parul’s guidance in immersing myself in the object, I got to understand its significance even more.
I was struck by how the Stories of Home storytellers that night all agreed that they had changed, through the process of storytelling. Retelling and reimagining their stories through art and objects had been about discovery. They considered their stories to be versatile - even infinite - in the ways they could be told. Their stories were dynamic, affecting those who listened to them, helping to challenge stereotypes and redefine empathy.
The survivors who participated in “Yo También” shared stories that helped them unpack their experiences of sexual violence with their peers and connect these experiences to the larger movement to end gender-based violence.
It is my story as a mother of an addict, one tiny part. Just as I am not interested in knowing all the details of his time spent making his bed out in the cold (to quote John Martyn’s May You Never), I don't expect him to be interested in knowing the agony of my waiting. Or the enormity of this expedition.